
A Repost From January 21.....
Just As Predicted, The Arab Puppets Can't Say No....
They Have No Will of Their Own.
"The Oscar-nominated film Ajami is centered on a neighborhood in Israel with the same name. It takes a snapshot of life in this rough Arab-Jewish neighborhood.
The makers of the film find themselves in a real life drama when one of the producers Tony Copti, and his brother were arrested, beaten and later released without charge.
Tony Copti says this has become a common phenomenon for many of Ajami's Arab residents.
According to him Israel is trying to push Arabs out of Jaffa by using scare tactics due to increased property prices in the city.
Sherine Tadros reports from Ajami, Jaffa."
NOTE:
This is the district and the city where I was born, 1945.
" Israel’s relentless drive to establish "facts on the ground" in the occupied West Bank, a drive that continues in violation of even the limited settlement freeze to which Prime Minister Benjamin Netanyahu committed himself, seems finally to have succeeded in locking in the irreversibility of its colonial project. As a result of that "achievement," one that successive Israeli governments have long sought in order to preclude the possibility of a two-state solution, Israel has crossed the threshold from "the only democracy in the Middle East" to the only apartheid regime in the Western world. . .
Olmert was mistaken in one respect, for he said Israel would turn into an apartheid state when the Arab population in Greater Israel outnumbers the Jewish population. But the relative size of the populations is not the decisive factor in such a transition. Rather, the turning point comes when a state denies national self-determination to a part of its population–even one that is in the minority–to which it has also denied the rights of citizenship.
When a state’s denial of the individual and national rights of a large part of its population becomes permanent, it ceases to be a democracy. When the reason for that double disenfranchisement is that population’s ethnic and religious identity, the state is practicing a form of apartheid, or racism, not much different from the one that characterized South Africa from 1948 to 1994. The democratic dispensation that Israel provides for its mostly Jewish citizens cannot hide its changed character. By definition, democracy reserved for privileged citizens–while all others are kept behind checkpoints, barbed-wire fences and separation walls commanded by the Israeli army–is not democracy but its opposite."
AAPER: I think that one of the things that sets Amreeka apart is how naturally the audience can connect to and identify with the characters. Do you think this would have been any less the case if the family was Muslim rather than Christian?
CD: No, because I wanted to minimize religion in the movie. If they were Muslim -- if they were wearing the hijab [head scarf] -- maybe people would identify less. Although I would have wanted to normalize that in a way and make it so that it’s not a big deal. In some ways, seeing it come on and off [at home] would have been just your average mundane, daily event, not to be made a big deal out of. I wanted to stick to the truth of my own experience, which is part of the reason I made them Christian. And I minimized religion anyway because I feel, as Palestinians, when it boils down to it, we end up being either a religious or a political issue or some kind of combination. I wanted to draw us as humans first and foremost, and let that other stuff fall into the background.