Thursday, January 10, 2008
By Gilad Atzmon
"The Road from Music to Ethics
An alternative take on the Israeli Palestinian conflict and peace activism
(Postscript by Manuel Talens)
Rather often I face the same question when interviewed by Arab media outlets: “Gilad, how is it that you observe that which so many Israelis fail to see?” Indeed, not many Israelis interpret the Israeli ethical failure as an inherent symptom. For many years I didn’t have any answer to offer. However, recently I realised that it must have something to do with my Saxophone. It is music that has shaped my views of the Israeli Palestinian conflict and formed my criticism of Jewish identity.
Today I will talk about the road from music to ethics.
It is known that life looks like a meaningful event when reviewed retrospectively from its end to its very beginning. Accordingly, I will try to scrutinise my own battle with Zionism through my late evolvement as a musician. I will explore my struggle with Arabic music. I will try to elaborate retrospectively on the role of music on my understanding of the world that surrounds me. To a certain extent, this is the story of my life to date (at least one of them).
I grew up in Israel in a rather Zionist secular family. My Grandfather was a charismatic poetic veteran terrorist, an ex prominent commander in the right wing Irgun terror organisation. I may admit that he had a tremendous influence on me in my early days. His hatred towards anything that failed to be Jewish was a major inspiration......."