Art is flourishing in the carnage left behind by Israel's military onslaught last year.
By Donald Macintyre
The Independent
".....At first sight, it is an abstract against a vibrant blue background but, examined more closely, it is pregnant with traditional Palestinian motifs: the feathers seamstresses attach to a needle and thread instead of a knot; the bag containing Koranic verses once worn by women, the grain used in baking bread. The blue is the colour of the Mediterranean; the brown that of the desert land it laps against.
Ms El-Daya, 33, is one of a growing, younger generation of talented painters helping to bring Gaza – and indeed Palestinian – art to the well deserved attention of a wider public. If Gaza's economy has ground to a standstill, its modern art appears to be flourishing.....
She does admit, however, to wanting to record scenes that are vanishing, or threatening to, in Gaza's ever-changing landscape. "I want to tell the world that there was a harbour here." Similarly with her pastoral pictures of the now bulldozed farmland of Beit Lahiya. "It's not there any more," she says. "People are trying to get it back now but it won't be what it used to be."
Ms El-Daya has much in common with her fellow painter Shareef Sarhan. The work of both has been shown and sold as far afield as Britain and the US. But while the paintings can travel – often thanks to diplomats – their creators, because of the closure, could not even get to this month's show in Jerusalem. Both have difficulty in bringing in good quality paints from Israel and the West Bank. And both have jobs to help support their families – Ms El-Daya teaches children to draw in a programme run by the Palestinian Red Crescent and Mr Sarhan, also 33, is a photographer for the United Nations Relief and Works Agency......
The problem he has is finding the time to paint as much as he wants. Not only does he need to earn his living but he is also, as a founder member of the "Windows from Gaza for Contemporary Art" group, a tireless champion of younger artists, helping to arrange two to three exhibitions a month. There were "difficulties" at first in attracting a Gaza audience for shows including video and installation art as well as paintings. But now, he says, 150 to 200 will routinely attend an opening.
Mr Sarhan says Hamas officials have nether intervened against nor encouraged the contemporary art movement here......"
By Donald Macintyre
The Independent
".....At first sight, it is an abstract against a vibrant blue background but, examined more closely, it is pregnant with traditional Palestinian motifs: the feathers seamstresses attach to a needle and thread instead of a knot; the bag containing Koranic verses once worn by women, the grain used in baking bread. The blue is the colour of the Mediterranean; the brown that of the desert land it laps against.
Ms El-Daya, 33, is one of a growing, younger generation of talented painters helping to bring Gaza – and indeed Palestinian – art to the well deserved attention of a wider public. If Gaza's economy has ground to a standstill, its modern art appears to be flourishing.....
She does admit, however, to wanting to record scenes that are vanishing, or threatening to, in Gaza's ever-changing landscape. "I want to tell the world that there was a harbour here." Similarly with her pastoral pictures of the now bulldozed farmland of Beit Lahiya. "It's not there any more," she says. "People are trying to get it back now but it won't be what it used to be."
Ms El-Daya has much in common with her fellow painter Shareef Sarhan. The work of both has been shown and sold as far afield as Britain and the US. But while the paintings can travel – often thanks to diplomats – their creators, because of the closure, could not even get to this month's show in Jerusalem. Both have difficulty in bringing in good quality paints from Israel and the West Bank. And both have jobs to help support their families – Ms El-Daya teaches children to draw in a programme run by the Palestinian Red Crescent and Mr Sarhan, also 33, is a photographer for the United Nations Relief and Works Agency......
The problem he has is finding the time to paint as much as he wants. Not only does he need to earn his living but he is also, as a founder member of the "Windows from Gaza for Contemporary Art" group, a tireless champion of younger artists, helping to arrange two to three exhibitions a month. There were "difficulties" at first in attracting a Gaza audience for shows including video and installation art as well as paintings. But now, he says, 150 to 200 will routinely attend an opening.
Mr Sarhan says Hamas officials have nether intervened against nor encouraged the contemporary art movement here......"
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